Letters to the Editor: Eradicating ‘Gone With the Wind’ from HBO Max is censorship, interval

A crowd walks previous the Astor Theater through the Broadway premiere of “Gone With the Wind” in New York on Dec. 19, 1939. (Related Press)To the editor: I’m shocked that screenwriter, director and novelist John Ridley demanded the elimination of “Gone with the Wind” from the HBO Max streaming service, and that HBO caved.Sure, “Gone with the Wind” portrays slavery in a benign mild, and it couldn’t be remade as we speak and not using a main rewrite to dramatize the horrors of slavery and embody multidimensional Black characters. It is usually a significant landmark in movie historical past and one of the crucial common films ever made.Censorship is unsuitable, even when it is accomplished by anti-racists demanding to suppress a movie that, for all its glorification of the “misplaced trigger,” additionally presents a heroine who grows from a shallow schemer into a lady of energy and energy. In addition to, eradicating “Gone with the Wind” prevents viewers from seeing the primary efficiency by a Black actor to win an Academy Award.Mark Gabrish Conlan, San Diego..To the editor: Thanks for publishing Ridley’s well timed essay concerning the 1939 movie “Gone With the Wind.” Lots of my elders thought of this movie nonfiction, depicting the “reality” concerning the Civil Battle.Insurgent troopers like Ashley Wilkes had been dashing, romantic heroes to them. They really believed that the so-called trigger the Confederacy fought for was righteous and sacred.Bravo to HBO for its determination to drag it from their lineup. I agree with Ridley: The movie needs to be proven, however with panel discussions and interviews to assist viewers perceive the hurt this sort of propaganda has prompted.Marcia Harlan, Idyllwild..To the editor: I appreciated Ridley’s piece urging HBO to not present “Gone With the Wind.”In 2001, a parody novel was revealed entitled “The Wind Carried out Gone,” a retelling of the story of “Gone With the Wind” from the standpoint of one of many slaves. I ponder if there was any consideration of creating a film primarily based on that novel.John T. Donovan, Hacienda Heights

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