When is a Lengthy Take Only a Gimmick?

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Meg Shields

Could 28, 2020We all know {that a} Lengthy Take is all the time a deal with, but when it would not serve the story, it could really feel like a gimmick. A brand new video essay explores why.
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There’s a twelve-minute steady shot within the Chris Hemsworth car Extraction. At the least, it seems to be steady. As VFX know-how has made stitching pictures collectively lots simpler, lengthy takes (or quite, “lengthy takes”) have grow to be more and more in style. Whereas there are total movies that use this method, like Birdman and 1917, movies with one massive showstopping “oner” are way more frequent. Suppose the HALO  soar in Mission: Unattainable – Fallout, or the opening raid in The Revenant.
Which brings us again to the twelve-minute lengthy absorb Extraction. It’s a oner that exemplifies each the potential and the pitfalls of the VFX-stitched lengthy take. A brand new video essay makes use of the lengthy absorb Extraction as a chance to interrogate why filmmakers would lock themselves right into a technically difficult, static oner. By evaluating the oner in Extraction to its friends, the video essay unpacks the precarity of the VFX-stitched lengthy take. How, with out the stakes of a real oner and the know-how to actually render cuts invisible, filmmakers want to make sure that their lengthy takes put story first in order that an audacious oner isn’t simply an audacious oner.
You’ll be able to watch “Is the Loopy Lengthy Absorb ‘Extraction’ a Gimmick?” right here:

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Who made this?
This video essay was created by Virginia-based filmmaker and video editor Thomas Flight, who runs a YouTube channel underneath the identical identify. You’ll be able to comply with Flight and take a look at his again catalog of video essays on YouTube right here. You’ll be able to comply with him on Twitter right here.
Extra Movies Like This

For extra of a pattern of Thomas Flight’s work, right here’s a crystal clear breakdown of why the modifying in Bohemian Rhapsody is horrible
Right here’s Each Body a Portray with an essay on The Spielberg Oner
One other from Thomas Flight: a comparability of scenes from HBO’s Chernobyl and the real-life footage
Right here’s probably the greatest behind the scenes documentaries ever made: In One Breath (a.okay.a. how they shot Russian Ark, a time-hopping historic drama composed of 1 single unedited handheld shot)
Right here’s Masters of Motion pictures on the historical past of lengthy takes and why they stand out a lot to trendy audiences
A Matter of Movie has a breakdown on what makes the lengthy shot from Youngsters of Males particular

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